| heute: | 2 |
| gestern: | 29 |
| diese Woche: | 55 |
| letzte Woche: | 174 |
| dieser Monat: | 553 |
| letzter Monat: | 712 |
| Total: | 27801 |
 | 31.6% | United States |  | 3.6% | Republic Of Korea |  | 1.8% | Russian Federation |  | 0.7% | Belgium |  | 0.5% | Hong Kong |  | 0.4% | Portugal |
 | 18.1% | Germany |  | 3.6% | Japan |  | 1.3% | Austria |  | 0.7% | Serbia |  | 0.5% | Israel |  | 0.4% | Suriname |
 | 6.6% | France |  | 3.6% | Italy |  | 1.3% | Switzerland |  | 0.7% | Spain |  | 0.5% | Argentina |  | 0.2% | Croatia |
 | 5.3% | United Kingdom |  | 2.3% | Netherlands |  | 0.8% | Poland |  | 0.5% | European Union |  | 0.4% | Uruguay |  | 0.2% | Taiwan |
 | 4.2% | China |  | 2% | Canada |  | 0.8% | Ireland |  | 0.5% | Australia |  | 0.4% | Brazil |  | 0.2% | Sweden |
The pianomusic of the 19th century is well known on modern instruments, while the sound of the instruments it was composed for differs significantly. Playing romantic pieces on historic pianos from the 19th century gives an impression how this music might have sound when it was played the first time.
